I think that I already enjoy The Aeneid more than I did
reading for last week. I really like how descriptive everything is. Now, we can
kind of tend to think of descriptive as excessively full of adjectives, but
that is not quite what I mean. What I mean is that it is very easy to tell what
Virgil is talking about, and it is very easy to picture it.
I feel like Virgil gets a little bit too excited about
Aeneas and his friends being from Troy. It reminds me of that whole scene in
The Emperor’s New Groove. The poison. The poison for Kuzco. The poison chosen
specifically to kill Kuzco, Kuzco’s poison. That poison? Virgil more or less
says the same thing. The Trojans. The Trojans from Troy. The Trojans from Troy
that were attacked repeatedly by Juno attempting to kill them because they were
Trojans, Troy’s Trojans. That Troy?
I do think that it’s interesting, that when talking about
funeral pyres, Virgil mentions boys, unwed girls, and sons. Why is it only
important that the girls are unwed?
I do not know why, but I find The Aeneid a lot more
difficult to write about than everything else we have read so far. I think that
might be mainly because of the fact that there are so many more names to try to
keep track of, and many of these names are thrown out once in conversation and
then they are not mentioned again. It seems like Game of Thrones in the way
that there are so many names, it is almost impossible to keep track of them
all, because half of them will be in only one scene, and the other half of them
will probably die some tragic and terrible death, anyway. It also might be because
a lot of my writing has been quite sassy this year, and it is a lot easier to
be sassy when talking about Ovid, because Ovid is sassy, whereas Virgil does not seem to be the sassy type. There
is not as much to make fun of in The Aeneid.
I do think that it is really cool that Aeneas got to see Dido
again; however, it is quite sad that she is not at rest. They seem to have
quite a tragic story. Maybe that is Virgil’s thing. Instead of being sassy, he
is all about how tragic a story can be.
Also, it is super interesting that Aeneas asked for his
mother’s help, and she sent some doves, her name is not even mentioned, and
Aeneas is just like, oh, that is so cool; thanks for the help, ma.
Man, everything Bacchus does seems to be entirely full of
useless debauchery. I wonder if the word came from Bacchus’s name, too. Anyway,
Dionysus never seemed quite as prolific as Bacchus. Ovid did make fun of him a
lot, though.
I like that after Aeneas sees his father, Virgil’s writing
is dramatic again. It kind of does one of those “it was only just a dream” type
of things. I mean, that is not the exact phrasing, but again, that is more or
less what Aeneas realizes.
Out of all the furies, and I think I have heard all their
names at one point, I wonder why it is
that Alecto is the one that specifically gets asked for help. She is the one
that does most of the dirty deeds required of her, and she is the one mentioned
the most. I wonder why she is so much more special than her sister. It is not
like between the three of them they only have one eye; that is the Fates. So
why is she so special?